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For nearly as long as there have been horror movies, filmmakers have had fun trolling the genre. The first “official” such entry was Abbott and Costello Meet Frankenstein but that offbeat film, which featured many of the sanctioned Universal M...

"What was [Joy] to me? She was my daughter and my mother, my pupil and my teacher, my subject and my sovereign; and always, holding all these in solution, my trusty comrade, friend, shipmate, fellow-soldier. My mistress; but at the same time all ...

See if this sounds familiar... A hot, young hunk bets his friends that he can turn any girl into a prom queen, and the friends pick out the geekiest girl in the school. The boy contrives a story to meet her, then starts to hang out with her, but,...

Commandment Five: "Thou shalt not kill." A Short Film About Killing, Krzysztof Kieslowski's powerful examination of the nature of murder, was a stunning success at the 1988 Cannes Film Festival, taking home the Jury prize. In the same year, t...

Commandment Six: "Thou shalt not commit adultery." A Short Film About Love, the second of Krzysztof Kieslowski's Decalogue episodes to be transformed into a feature film (the other being A Short Film about Killing), takes a unique look at the ...

Spoiler Alert: Although every effort has been made to limit the revelations in this review, it's difficult to provide a coherent discussion of Shutter Island without giving away something, so readers are hereby placed on alert. If you're familiar...

Edmond Rostand doesn’t get an “official” credit for “story by” but anyone claiming familiarity with Cyrano de Bergerac will immediately recognize where screenwriter Lindsey Beer drew her inspiration. It’s not unusual for a modern-da...

Sing Street is John Carney’ Valentine to the people and places of his youth and the varied and oft-maligned music that defined the 1980s. Carney infuses the familiar framework of the “coming of age” story with songs and whimsy and a touc...

Sisu is one of those unheralded films that comes seemingly out of nowhere to grab the adventurous movie-goer by the throat. For a perfectly-pitched 90 minutes, it glories in the excesses of gore and violence with an exuberance rarely experienced t...

With its tongue no longer in cheek, the grimmer and more preposterous sequel to Sisu makes up in adrenaline what it loses in (gallows) humor. Unlike the first film, which often seemed to wink at the audience, this one commits fully to darker terri...