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Chen Kaige's The Promise is a beautiful film, filled with stylized, CGI-enhanced foregrounds and backgrounds that look like they were lifted directly from fairy tale-inspired paintings. There's not much about the look of The Promise that's realist...

Much as I might like to, I cannot heap praise upon director Gavin Hood's Rendition, a political thriller with aspirations of being so much more that it is. The film treads into the minefield of debate that exists surrounding the question of Constit...

Safe House is an overlong, underwhelming knock-off of The Bourne Identity - another generic spy thriller in which the "bad guy" (a traitor) is the good guy (because he's at war against corruption) and the "good guys" (government agents) are the bad...

Boxing movies are like romantic comedies: they come in neat packages, follow tried-and-true formulas, and rarely challenge conventions.  There are outliers, of course, like Martin Scorsese's brilliant Raging Bull, but those are rare. For the...

Spring Summer Fall Winter...and Spring is a gorgeous motion picture. Using perfectly composed shots to amplify an emotionally resonant story, the film successfully argues that "artistic" films do not have to be boring. Although few in the audience...

Haunting and disturbing, Time is the kind of motion picture that gets under your skin and doesn't let go. It lingers long after the final credits have rolled and, for those who see it with friends, it will provoke endless post-movie discussions. A ...

When a director can take a reprehensible monster and, over the course of a scant 90 minutes, turn audience reaction from distaste to sympathy, that's the mark of an adept filmmaker. This occurs in Tsotsi, an emotionally honest tale of redemption t...

As coming of age stories go, Wah-Wah does little to distinguish itself. Based on the memories of actor-turned-director/writer Richard E. Grant, the bland film loses its focus early during the proceedings and never gets it back. With the late 196...