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While there will always be a debate about the authenticity of Michael Moore's documentary techniques, there's no arguing that Bowling for Columbine succeeds equally well as a provocative essay on gun violence in America and an opportunity for the w...

Columbine has never been a mystery to me. A tragedy, yes, but not mystery. The most surprising thing about Columbine is that it took so long for something like that to happen. Anyone who has been bullied probably understands this, and there's litt...

The concept of “alternate histories” has always represented a source of fascination for history buffs and science fiction fans alike. Alternate histories hone in on potential turning points in world events and postulate what might have hap...

Perhaps Michael Moore missed his calling. He could have been a preacher. And not any kind of preacher - a fire-and-brimstone, Jonathan Edwards sort. His movies ooze passion and come across like two-hour sermons. He doesn't just believe in what h...

Various articles have labeled Capturing the Friedmans as a narrative documentary, a crime investigation, a meditation upon the nature of truth, and an expose of the failings of the United States judicial system. First and foremost, however, it is ...

Warning: This review contains spoilers throughout - at least insofar as a documentary can be spoiled. There's a common belief that about 75% of the "hot women" engaged in e-mail relationships, chatroom liaisons, and other associated on-line beha...

Growing up in New Jersey, I was of course aware of the existence of Action Park, an amusement park located in the northwestern portion of the state, not far from where my grandparents lived. Nevertheless, I turned down opportunities to visit for a...

I wish I could claim many of the revelations contained within Client 9 are shocking, but they're not. By following the story of the rise and fall of Eliot Spitzer, director Alex Gibney peers behind the political curtain and discovers what we all k...

Countdown to Zero feels just like a History Channel documentary, which is unsurprising when one considers that the movie was produced by none other than The History Channel. As with most of their fare, this one mixes archived footage with talking ...

Upon viewing the completed version of this film, cartoonist Robert Crumb, whose story it tells, informed director Terry Zwigoff, "After I saw it I had to go for a walk in the woods, just to clear my head. I took my favorite hat off, this hat that ...