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The Bostonians. A Room With A View. Mr. and Mrs. Bridge. Howards End. The Remains of the Day. These represent the best of Merchant-Ivory -- a category in which their latest, Jefferson in Paris, does not belong. Nevertheless, although this exa...

The gulf is vast between what the studio wants us to think John Tucker Must Die is and what it really is. The marketers and publicists would have us believe this is a dark, edgy teen comedy about a band of two-timed girls taking revenge on the school...

John Wick is a rousing action thriller of the sort rarely encountered in theaters these days. The once popular genre, which was headlined by the likes of Stallone and Schwarzenegger during its heyday, has been a dying breed during the past two deca...

The John Wick series, now on cruise control for its third installment, has fallen into a trap. The filmmakers have become so intent on delivering “more of the same” that they have lost all sense of proportion. While hyper-violent, quasi-co...

John Wick has lost his mojo. The aspect of this franchise that made it compulsively watchable for the first two installments has degraded during the last two. John Wick has always been a comic book-style property (although Chapter 4 feels more lik...

Much to the delight of those who enjoyed 2014’s John Wick, the second installment of the series (which is intended to be a trilogy, assuming box office performance warrants its continuation) represents a seamless extension of the original film. All...

One hallmark of great cinema is that, even when the story is tragic, a viewer can leave the theater both reflective and satisfied. Jude, Michael Winterbottom's ambitious, big-screen adaptation of Thomas Hardy's heartbreaking classic, Jude the ...