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This review contains spoilers. Oblique spoilers, but spoilers nonetheless.Although technically classified as “horror” or a “thriller”, Personal Shopper works best when viewed as a mood piece. There’s something hypnotic about the way ...

Summer Hours is about death, but not death in the way that it is often packaged and sold to us in movies. Defining grief is a difficult thing. Why do we mourn? Do we grieve for the person who has died or for the ones he (or she) has left behind?...

The original Taken, released in the United States in early 2009, was never intended to be anything more than a January throw-away. $145 million later, Fox had a different opinion of the French-made film, whose U.S. opening occurred months after it ...

Taken 3 is exactly what one might anticipate from an unnecessary sequel in a mediocre franchise. Even those desperate for a Liam Neeson action fix may be disappointed. The film, directed like its immediate predecessor by Luc Besson disciple Olivier M...

The Transporter movies remind me of the Bond films of the '70s and '80s, in which each new installment tried to one-up its predecessor in terms of inventive and outrageous action set pieces. Without a doubt, Transporter 3 offers more innovative wa...

Winner of four 1994 Cesar awards (best picture, best director, best screenplay, and best female newcomer), Wild Reeds beat out such big-name, high-budget productions as Queen Margot. Originally commissioned by French television, but first released...