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If there's a complaint to be made about Insidious, it's that the film's second half is unable to live up to the impossibly high standards set by the first half. This isn't unusual when it comes to films that include a "reveal"; even Jaws lost a sha...

A Man Escaped is widely considered to be among French director Robert Bresson’s greatest achievements (if not his greatest achievement). Along with his other highly-regarded films, Pickpocket and The Trial of Joan of Arc, A Man Escaped emp...

Playtime, the 1967 comedy from acclaimed French director Jacques Tati, is an odd film (even coming out of a tradition of filmmaking that prided itself on defying conventions and breaking barriers). With no real plot and little in the way of ch...

When it comes to the annual Liam Neeson cash-grab, I have learned to temper my expectations. A guilty pleasure would seem to be an attainable goal, although those instances have been more the exception than the rule lately. The problem is that Nee...

Revolver had its world premiere at the 2005 Toronto Film Festival, some 27 months before finding its way into a small number of U.S. multiplexes. If that says nothing else, it's that distributors shied away from the film, fearing its complete lack...

There are times when the story behind the making of a film is more interesting than the finished product. This is one of those occasions. The Rum Diary was written by Hunter S. Thompson in the 1960s but was not published until 1998, after actor Joh...

Aspects of The Swan beguile and engage while others verge on the pretentious (like quoting Tarkovsky). As a slice-of-life/coming-of-age tale, The Swan hits many of the right notes but as an attempt to be something more, it paradoxically becom...

Swept Away, or Swept Away... by an Unusual Destiny in the Blue Sea of August, as it is more properly known, was made during the most fertile period of director Lina Wertmuller's career. Wertmuller, whose entrée into filmmaking came via working as...