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Talladega Nights (subtitled, The Ballad of Ricky Bobby) is, in many ways, just like every other Will Ferrell comedy: take some satire, add some hit-and-miss jokes, throw in a lightweight storyline, and let the lead actor be the catalyst that crysta...

I’m not sure whether I can argue that Three Thousand Years of Longing is among the best movies to be released during the so-called “post-pandemic” era (a time period that began in late May 2021) but it is one of the most singular, memorable ...

Is it pointless to write a review of Transformers: The Last Knight, the fifth installment of Michael Bay’s celebration of all that’s wrong with Blockbuster Cinema? Bay’s response to his critics is to flash his winning smile and point to t...

When I say this is awful, I mean that it’s awful. Not “so bad, it’s fun.” Not “a throw-away summertime diversion.” This may be the worst movie M. Night Shyamalan has ever made, and I’m not forgetting The Last Airbender or After Earth....

The Vast of Night begins with an image of a TV set. A show is just beginning as the camera moves in, allowing all other details but the grainy black-and-white image to fade away. A voice, sounding suspiciously like Rod Serling, tells us “You...

Violent Night, Tommy Wirkola’s contribution to the Santa Claus legend, is better than it has a right to be but not as good as it could have been. Using a similar premise to the one botched by 2020’s Fatman (with Mel Gibson as the Man in Red), ...