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Love's Labour's Lost has always been regarded as one of the most enigmatic of Shakespeare's plays. In modern times, it is almost never performed, and, unlike the text of the Bard's major works, it fails to come alive on the printed page. In an in...

For a small percentage of people, grief can be a catalyst. For most of us, however, it’s a paralyzing force that threatens to entomb us in a coffin of sorrow and despair. Most movies, in attempting to depict this, fall into an abyss of melodram...

"In the last 20, 30 years, [Frankenstein has] been claimed by a whole generation of academics and scholars as a seminal piece of literature of that time. [It's] something which now, post-Freud, they feel reveals so many observations about family l...

Following the spectacular failure of Mary Shelly's Frankenstein, Kenneth Branagh returned to England to make the kind of film he was most familiar with: a very British, low-budget production rooted deeply in the works of William Shakespeare. Howe...

Much Ado about Nothing is Kenneth Branagh's adaptation of one of Shakespeare's better-known comedies. Centered around two romances - Hero (Kate Beckinsale) and Claudio (Robert Sean Leonard), and Benedick (Kenneth Branagh) and Beatrice (Emma Thomps...

Like most Agatha Christie stories, Murder on the Orient Express is all about the “whodunnit?” Once that question has been answered, there’s little reason to revisit the story. Christie never cared much about character development and her ...