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An atmospheric period-piece murder mystery, The Limehouse Golem combines elements of Sherlock Holmes and Jack the Ripper into a Victorian-era gothic stew that, although perhaps not as ultimately satisfying as it might have been, nevertheless p...

The men in black at Columbia Pictures made the right decision when they elected not to screen Man of the House for critics. The film fails in so many ways that it's impossible to imagine it getting more than a handful of positive reviews; all but ...

Dread – it’s the lifeblood of any good horror movie/ghost story. Blood, gore, and a high body count are all nice accompaniments, but for a film in the genre to work, it has to fill the viewer with an almost suffocating sense of doom. When ...

When one approaches something like The Housemaid, one has to go with reasonable expectations. Freida McFadden's book, a perfect summer beach read, is the kind of page-turner that can easily be consumed in a few lengthy sessions. Transforming it fr...

Welcome to the Dollhouse, which won the Grand Jury Prize at the 1996 Sundance Film Festival, is Todd Solonz' counterattack against the Wonder Years nostalgia that clouds movie memories of adolescence. After all, junior high school isn't the en...