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Note: If anyone cares, there's a reference in the next-to-last paragraph that enters spoiler territory. As in end-of-the-movie spoiler territory. For the laughably bad debacle that is The Boy Next Door, I won't necessarily blame credited w...

I Am Love falls into the select category of films that are easier to admire than like. Director Luca Guadagnino's arm's length approach to the story creates a buffer between the audience and the main character - something that works well during th...

Sexual taboos come in all shapes and forms -- bestiality, pedophilia, incest -- but none creates a more vivid image than that of necrophilia. So, when I say that Kissed is the character study of a necrophiliac, recognize that this film is intended...

Mama follows an unfortunate recent pattern that has emerged in low-budget horror films, especially those with PG-13 ratings. It starts out strongly, using evocative visuals and an unsettling backstory to establish a creepy tableau, but it proves un...

Since Sir Nicholas Winton was sometimes referred to in the press as “the British Schindler,” it seems altogether fair to call One Life a Schindler’s List-lite. Anchored by a strong performance from double Oscar-winner Anthony Hopkins as ...

"[Ready to Wear/Pret-a-Porter] is just a silly little movie, it's not a serious epic. So just enjoy, laugh with it, have a good time. It's no big deal." - Robert Altman, director of Ready to Wear One wonders whether Robert Altman arrived at ...

These days, Hollywood seems to be almost entirely bankrupt of new ideas. For bursts of inspiration or innovation, the movie-goer increasingly has to seek out independent motion pictures. What we are getting more and more from the big studios is a...

If I didn't know this was a documentary, I might easily mistake it for the latest feature offering from Woody Allen – that's how interchangeable the public personae of the director has become with that of the nebbish screen character he always po...