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William Shakespeare. Charles Dickens. Jane Austen. Those three authors are perhaps the most frequently adapted writers of classic novels in the relatively short history of cinema. There’s a reason for that. The timeless nature of their outpu...

Many times, it is possible to make a snap determination about a movie based on its trailer. Happily, in the case of The Emperor's New Groove, any such judgment is likely to be in error. That's because the trailer makes the movie seem like one of ...

Generic and forgettable - those are the two words that immediately come to mind to describe Chris Wedge's first solo outing as an animated feature film director. (With Carlos Saldanha, he created Ice Age). What makes matters worse is that Epic isn'...

The creative and financial successes of two franchises - Harry Potter and The Lord of the Rings - have changed the way in which fantasy is viewed by movie-goers. Once a genre pigeonholed as fit only for Dungeons & Dragons nerds, fantasy has gone m...

Whether as a result of coincidence or intent, the COVID pandemic has issued in a new era of motion picture musicals. Not since mid-20th century, when Musicals were perennially the biggest earners, has the genre been this popular. Everybody’s...

The Exorcism of Emily Rose is being sold as the latest PG-13 horror movie, albeit one that deals with demonic possession instead of ghosts. In reality, however, it's a courtroom drama with a twinge of the supernatural (most of which occurs during fl...

For one reason or another, there have been few quality movies made about 9/11. Maybe it's because the event is too recent and the wound too fresh. Or perhaps it's because filmmakers are keenly aware that a misstep could lead to charges of exploitat...

Welcome to the world of Charles Bukowski - poet, author, skid row denizen, alcoholic, and hero to millions (most of them in Europe). Factotum is director Bent Hamer’s attempt to bring a version of Bukowski’s novel to the screen. This isn’t ...