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The infamous background about the post-production woes of The Magnificent Ambersons is perhaps as interesting as the story told in the film. And, to add flavor to an already-spicy dish, movie critics and historians, in their zeal to lionize legendar...

It’s a cliché to remark that “they don’t make them like they used to” but, in the case of Marty, it’s true. The simple, character-based romance is a thing of the past; even indie filmmakers rarely attempt it today. The first thing o...

"In the last 20, 30 years, [Frankenstein has] been claimed by a whole generation of academics and scholars as a seminal piece of literature of that time. [It's] something which now, post-Freud, they feel reveals so many observations about family l...

The production notes trumpet The Matchmaker as "a romantic comedy for people who hate romantic comedies." This statement implies that the film has something exceptionally original or daring to offer those who are tired of screen love affairs that ...

Me and Orson Welles is about the theater, or at least the theater as it was in the 1930s. Based on the semi-fictional novel by Robert Kaplow and set in New York City around the time of the opening of the Mercury Theater, the film is rich in period ...

You know the old saying about putting lipstick on a pig? Well, that's pretty much what's happening with Timur Bekmambetov's Mercy, a tedious and preposterous whodunnit. It is so poorly scripted and negligently paced that the distributor (Amazon MG...