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When it was released in 1961, Viridiana was seen as shocking by some, blasphemous by others, and even deemed controversial by those accustomed to European filmmakers coloring outside the lines. Today, the “edgy” and “envelope-pushing” ...

All the world is in love with Almodovar, or at least so he would have us believe. His full name is Pedro Almodovar, but no one bothers with the first name, least of all Pedro. His movies trumpet "A Film by Almodovar" with pride, and his latest, Vol...

We Are Your Friends is presented in three very different acts. The first is at times fresh and inventive, with playful elements that enliven the narrative. The second is solid but familiar. The third is meandering and strangely unsatisfying, even tho...

Few things are more depressing in moviedom than films that squander a great premise. Such is the case with What Happened to Monday, a sci-fi thriller than all-but-abandons its deep philosophical underpinning in order to pursue a straightforward...

The term "Capra-corn" was coined for movies such as this one: feel-good endeavors that emphasize the better portions of human nature over the base, venal ones. With Capra, no matter how dark things got in the middle (and it's tough to get darker ...