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I approached Love Hurts with modest expectations. The well-worn concept – that of a retired assassin forced back into action to save the woman he loves – feels like a high-floor/low-ceiling concept: the kind of thing that’s never going t...

Simon West's The Mechanic is a loose remake of the 1972 film starring Charles Bronson. In addition to updating various aspects of the story, the filmmakers have changed elements (most notably the ending) in an attempt to make it more audience frien...

In his famous 1944 speech to the Third Army, General George S. Patton said the following: “The Nazis are the enemy. Wade into them. Spill their blood. Shoot them in the belly.” I don’t know whether director Guy Ritchie thought of those w...

Money Monster wants to be more than just another mindless thriller. By building its foundation on a message about the dangers of playing the stock market roulette wheel, it seeks to inject substance into a genre overrun by action-driven popcorn films...

Moneyball illustrates what can happen when a non-fiction book that's more about ideas and processes is translated into a feature film. There's a lot of fascinating information in Moneyball (although, to be fair, it's questionable how much interest...