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If there’s an obvious problem with Beach House, it’s that the setup takes too long and the payoff is too abrupt. An erotic thriller than could have used a little more eroticism, Jason Saltiel’s feature debut takes the term “slow burn”...

Carol is a haunting motion picture - the kind of film that stays with the viewer long after the multiplex’s neon signage has disappeared from the rear-view mirror. Despite having a deceptively simple storyline, the film is entirely unlike any o...

Eat Pray Love is a muddle of a film - an overlong bore that either mistakenly thinks it's something more than a humdrum romance or has incorporated a variety of pretentions as window-dressing. In either case, the movie's quasi-preachy attitude eff...

(Spoilers, as one might expect from a retrospective of a 50-year old movie.)Midnight Cowboy, the only X-rated film to win a Best Picture Oscar, is less shocking than its reputation might indicate. Essentially a two-character buddy film, the ma...

Salt is more than mere seasoning; it's a full bouillabaisse comprised of bits and pieces of James Bond, The Manchurian Candidate, The Bourne Identity, TV's 24, and the Nelson DeMille novel The Charm School. What begins with a delicious appetizer, ...

I’ll be the first to admit that not everything in Saltburn works and, during some of the cringe-inducing instances when it fails, it does so rather spectacularly.  Yet Emerald Fennell’s film is just bonkers enough to be wildly entertainin...