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What movie-goers find funny has changed since the end of the silent era. Many of the pratfalls and hijinks that so delighted audiences in the 1910s and 1920s have long since ceased to provoke anything more full-bodied than a chuckle. Neverthel...

As a noisy, CGI-saturated spectacle, there’s no arguing that Ghost in the Shell gets the job done. Every cent spent on the movie appears to have made it into the final cut – an indication that the actors probably did most of their work in ...

Giant makes for an interesting case study of a "classic" American motion picture. Although it was a huge financial success for Warner Brothers, the prints were allowed to fall into a shocking state of disrepair over the years. And Giant's reputat...

Gladiator is the kind of movie upon which Hollywood once built its reputation but rarely produces anymore: the spectacle. Filled with larger-than-life characters, gorgeous scenery, impressive set design, and epic storytelling, Gladiator is design...

Gone Baby Gone is powerful stuff - a movie that derives its plot twists from moral conundrums rather than from narrative sleight of hand. The best mystery novels are the ones that use the genre as a stepping-off point for developing characters and...

A Good Man in Africa, based on William Boyd's novel of the same name, is supposed to be a biting satire on the colonial attitudes of British subjects. The problem with the film is that it's frequently more tedious than funny. The story -- tha...

When considering the meaning of the title Good Time, I was reminded of Dickens: “It was the best of times, it was the worst of times…” In the case of these characters, the former doesn’t apply. Good Time is an atmosphere-driven thrille...

Grand Hotel, which captured the Best Picture Oscar in 1932 (the third of three years when the Academy Awards were held at the end of the year - they reverted to the first quarter in 1934, where they have remained), became a template of sorts for ma...

The Great Raid seeks to be the kind of epic war film that was popular during the 1950s, 1960s, and 1970s. And, unlike many recent entries in the genre, it does not seek to take a revisionist look at war. The central premise is promising: a factua...