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Since imprinting his name on the international indie box office with his mid-'90s one-two punch of Exotica and The Sweet Hereafter, Toronto-based filmmaker Atom Egoyan has been struggling to regain his footing. In one way or another, his last few ...

One has to wonder whether Marvel Studios’ reputation as the industry’s King Midas might be in jeopardy. The post-Infinity War continuation has limped along without providing a compelling reason to return to theaters (although millions have...

For anyone who bemoans the dearth of psychological thrillers in today’s motion picture landscape, Chloe Domont’s feature debut offers a blend of modern sensibility with ’80s throwback ingredients. Think Fatal Attraction and Single White Fema...

While many of William Shakespeare’s plays have been preserved for posterity, not much is known about the man beyond a handful of biographical scraps. That vacuum has long invited authors and screenwriters to fill in the blanks. The most famous e...

Upon occasion, cinema can make for strange bedfellows. Consider, for example, I Think I Love My Wife. This relationship comedy marries the sensibilities of French New Wave auteur Eric Rohmer with the youth-friendly, sometimes raunchy humor of Chr...

To find Nomadland, all one has to do is locate the place where the documentary intersects with the feature film. Based on the non-fiction book by Jessica Bruder, writer/director/editor Chloe Zhao has added form and texture by presenting this j...