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In an era when movies are again turning to classic literature for inspiration, it was only a matter of time before a new version of Charlotte Bronte's Jane Eyre reached the screen. One of the best-loved of all the Victorian novels, Jane Eyre combi...

WARNING! Heavy spoilers ahead! Beginning with the fifth paragraph, this review reveals details about key plot points and the endings of both Jean de Florette and Manon des Sources. Proceed at your own risk. Although released with a three mon...

Jeanne Dielman (full title: Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles) functions equally as a fascinating, at times mesmerizing time capsule, and an endurance trial. Clocking in at 202 minutes, the movie would be difficult enough to...

December 1914. World War I is not even five months old, and already the high spirits with which it started are eroding. Generals and leaders still voice the opinion that it's going to be a short war, but the men in the trenches doubt this. Yet, ...

When I was three years old and my playmates were happily watching Sesame Street and cartoons, I would sit in front of the television and gaze at the force of nature that was Julia Child (I also liked Graham Kerr, The Galloping Gourmet). Her larger...

Kansas City is Robert Altman's disappointing followup to the equally disappointing Ready to Wear, which underwhelmed critics and audiences alike following its Christmas 1994 release. While Kansas City is a modest step forward for one of America's ...

"I have always liked European cinema and, originally, I was going to make this for $200,000 on 16mm black and white. So I decided to write a movie with a lot of French language and use subtitles, and them make it a violent action picture... For th...

Spoiler Alert: This review assumes that the reader is familiar with the story of King Kong, including the ending. If you're not, and don't want to be spoiled, it's best to stop reading after the fourth paragraph and return once you have seen the ...

Kings and Queen, the 2004 film by French director Arnaud Desplechin, is wending its way slowly across North America, making its way into select art houses. The movie is quintessentially French, focusing on drama instead of melodrama and character ...