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It has often perplexed me why there have been relatively few fantasy adventure animated films. With their mix of monsters, magic, and heroism, they would seem to be an ideal fit to captivate the imaginations of children and adults alike. Putting asid...

This review contains spoilers, if that term can be used for a movie that has been around for 85 years!While I’ll admit that Jean Vigo’s 1934 feature, L’Atalante, is charming, I won’t be among those who label it as one of the great cinemati...

One has to wonder whether we are reaching the point of oversaturation with respect to bio-pics of famous singers. The landscape is dotted with them: Ray, Walk the Line, Control, I'm Not There, and so on. The field has become so crowded that Judd ...

George A. Romero may have been the originator of the modern zombie movie, but, at least with Land of the Dead, he hasn't done much to refine it. The zombies are creepier looking than in the past, and the gore is more hard-core, but the story still...

When I was an adult living in the town where I grew up, I frequently drove by the house where I once lived, compelled as much by nostalgia as by the fantasy that I might one day buy it. When it comes to places, few exert quite the same hold as...

The careers of filmmakers David Lean and Bernardo Bertolucci overlapped for a short span (Lean’s best years coming prior to Bertolucci’s breakthrough) but, when the controversial Italian director released his celebrated epic The Last Emper...

While it's impossible to assert that The Last Legion is entirely undone by budgetary constraints - bad scripting and odd casting choices play a part as well - it's a good bet that the movie could have been better had more money been spent on the pr...

Director Catherine Breillat is known for her racy and sometimes sexually explicit movies, many of which deal with themes of female empowerment. She has built a reputation in France as a woman for whom no subject is taboo. Her films have depicted ...

There can be many reasons for re-releasing a motion picture. In some cases, like Star Wars, the motive is as much for profit as it is for artistic reasons. The same claim cannot be made of Le Samourai, a 1967 thriller that has been cited by no le...

For writer/director Brian Helgeland (Payback), Legend represents a visit to Scorsese territory; sadly, the result falls far short of the visceral experiences we typically are accorded by the legendary Oscar winner. Granted, it’s a tall order to...