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Take Mad Max, add elements of Escape from New York and I am Legend, insert a kick-ass heroine to rival Sigourney Weaver or Linda Hamilton, and employ strobe-like editing for the action sequences, and you have a fair approximation of Doomsday. Deri...

Break out the whips and chains! We're going on a trip to an island called Eden, where the dominatrix Mistress Lisa holds court and just about anything (supposedly) goes. And, judging from the actual journey, if author Anne Rice has any complaints...

A loving ode to the Fantastic Four comic books of the 1960s and 1970s, Fantastic Four: First Steps is unlike any other MCU movie in two regards. First, its faithfulness to its source material can be found as much in its tone and style as in i...

With The 40-Year-Old Virgin, Judd Apatow succeeded in an endeavor that foiled many of the more accomplished directors to precede him: the merging of the romantic comedy, a quintessential "female genre," with the raunchy comedy, a quintessential "ma...

Freakonomics is a most atypical documentary indeed. Comprised of a collection of shorts by noted filmmakers Morgan Spurlock (Super Size Me), Alex Gibney (Taxi to the Dark Side), Eugene Jarecki (Why We Fight), Seth Gordon (The King of Kong), and He...

The typical Garry Marshall film (Pretty Woman, Raising Helen) can be classified by a few words: contrived, insipid, and predictable. Georgia Rule, while not the worst work Marshall has done, is a limp misfire. There are moments during the course ...