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For his directorial debut, Idris Elba has elected to work in a genre he’s comfortable with – the crime thriller. The actor-turned-director is not, however, content merely to regurgitate bits and pieces of productions in which he has appear...

Forever remembered as the "Japanese Bond", You Only Live Twice takes 007 to the Far East for his fifth screen adventure, Sean Connery's final consecutive appearance as the top British agent (the actor returned to the role twice more: 1971's D...

As a writer by trade (at least before he started directing), David Koepp should know that a good ending is at least as important as a good beginning, if not more so.  You Should Have Left, a haunted house movie that doubles as an homage to St...

From the beginning, it's apparent that there's something "off" about Youth in Revolt. It's not that the film is fatally flawed, but the tone is uneven, the satire is blunt, the comedy rarely generates more than feeble laughs, and the lead characte...

It’s rare that a movie can shock with its timelessness, but Z is such a film – no less relevant today than when Costa-Gavras made it in 1969. In his contemporaneous review, Roger Ebert said the following: “It is a film of our time. It is ...

Jonathan Glazer’s The Zone of Interest is powerful but dramatically inert. For roughly the first half, the viewer is unable to look away, mesmerized by the establishment of the setting and the way the director has chosen to present it. There com...

Someone in a charitable mood might consider Zoom to be a kids' film. To the extent that such a label indicates there is nothing of value or interest for adults, it's apt. However, it's difficult to imagine what might appeal to a younger audience....