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The 16-year wait between the 1968 opening of 2001: A Space Odyssey and the 1984 release of 2010 doesn't represent the longest interval between a movie and its direct sequel (that distinction probably belongs to Gone With the Wind/Scarlett, although...

The 5th Wave is an adaptation of Rick Yancey’s 2013 YA sci-fi novel. Although many recent multi-book YA properties have made successful book-to-screen translations (The Hunger Games, Divergent, The Maze Runner), The 5th Wave is a departure from...

Talk about an unenviable task... Universal Pictures has chosen About a Boy to be a sacrificial lamb, electing to open it on May 17, opposite Attack of the Clones. Maybe they're hoping that movie-goers disappointed by sell-outs at the latest Star ...

When you're young, you live your life looking forward. The future looms larger and more full of promise than the past, and everyone not afflicted with incurable pessimism believes that the best is yet to come. But all things age, and die, and wit...

In 1997 movies, the White House is under siege, although not as literally as in last year's Independence Day. No less than three major motion pictures released between New Year's Day and the twilight of the summer season have stories that postulat...

Admission is a serviceable, sporadically entertaining motion picture that has been aggressively developed for mainstream consumption. Infused with an almost relentless blandness, it's defined by soft comedy (a few laughs here and there), flaccid dr...

Writer/director Paul Schrader has always been fascinated by the line between sanity and madness, and what it takes to push a man over the edge. This theme stands out in two of Schrader's best known scripts, Taxi Driver and Raging Bull, both of whi...

Over the course of a 26 year career that encompassed more than 75 movies, Humphrey Bogart made only five color films. The first and most respected of those was 1951’s The African Queen, the last of five pictures he made with his good friend,...

Although it’s being marketed as a love story, The Aftermath is more about grief and recovery than romance. In fact, the film’s illicit relationship is a cold, passionless affair that generates as much heat as a dying ember in a snowstorm. ...

It's New York City in the 1870s, a society ruled by expectations and propriety, where a hint of immorality can bring scandal and ruin. This is an America every bit as Victorian as her contemporary England. Into this world arrives Countess Ellen O...