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In motion pictures, there are essentially three types of satire: a fatuous, silly kind that emphasizes jokes to the exclusion of all else; a lightly comic approach that gently pokes fun at issues while developing a plot and characters; and a vicio...

Into the calm before the box-office storm of The Lost World rises Night Falls on Manhattan, Sidney Lumet's triumphant return to worthwhile movie-making. The director of such memorable films as Serpico, Dog Day Afternoon, and Network has been in a ...

Nymphomaniac Volume I is possibly the best movie Lars von Trier has made since Dancer in the Dark. It doesn’t take much analysis to determine the “why” of this statement - for Nymphomaniac, the iconoclast director has dialed back the pretent...

Nymphomaniac Volume II, the continuation of the story begun by writer/director Lars von Trier in Nymphomaniac Volume I, is a clear case of a narrative running out of steam. Exhaustingly repetitive, this movie attempts many of the same things its pr...

Those who would bundle Pump Up the Volume with the other numerous teenage-oriented movies to dot the '80s and '90s cinematic landscape do the film and themselves a great disservice. Pump Up the Volume is smart, perceptive, thought-provoking, and w...

Q & A is testimony to the validity of the old adage: a good story, when well told, can never be told too many times. With this movie, director Sidney Lumet doesn't bring anything radical to the screen. The premise - a decorated cop discovered to ...

Filmmakers love weddings. The reasons are obvious: so many characters, so much potential for drama and romance, so many things that can go wrong. Weddings are also events that most people, in one way or another (whether as a guest or a participan...