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As movie-goers, we have become accustomed to seeing our screen heroes as immutable and immortal. This is in part the result of how film can freeze a moment. Humphrey Bogart will always look the way he does when saying “Here’s looking at y...

Creed II, the follow-up to 2015’s surprisingly successful Creed, runs afoul of a common problem to plague unplanned sequels: the need to match audience expectations trumps all other concerns, including creative latitude. The eighth installment...

Creed III is the first Rocky movie without Rocky. Considering the imbalance created by the Stallone/Jordan dynamic in Creed II, the decision to excise the Italian Stallion from the narrative framework makes sense. The Creed movies need to move forw...

Seemingly taking inspiration from Traffic, writer/director Nicholas Jarecki attempts to use a thematic connection (rather than a narrative one) to tie together three separate stories. (Although two of the segments intersect at the climax.) The...

When I first saw The Disappearance of Alice Creed at the 2009 Toronto Film Festival, I thought it was a sure bet to be picked up for United States art house distribution. I was wrong. Eventually, however, after the dust from the festival had sett...

Reuniting director Todd Phillips with the actor whose name no one can pronounce (the inimitable Zach Galifianakis) would seem to represent an excellent cornerstone for another laugh-till-you-drop comedy. Add Robert Downey Jr., possibly the best Am...

Spoiler alert: There’s a spoiler in paragraph #4. Is it a big deal? Depends on how deeply you’re invested in these characters and whether you’ve read the books. It’s there but it won’t ruin the movie if you inadvertently read it. Alt...