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They might as well have called this Cheer Movie. About the only thing to differentiate this dud of a comedy from the likes of Date Movie, Epic Movie, and Disaster Movie is the absence of the names Aaron Seltzer and Jason Friedberg on the credits....

The key to making a successful formula motion picture is to infuse it with energy and add a few original elements. The overall product might seem familiar but that doesn't mean it can't be an enjoyable viewing experience. This is true regardless ...

Freedomland is one of an increasingly endangered species: the adult movie that's about something. By "something," I mean a serious issue - the kind of thing films shy away from for fear of alienating viewers. Underneath the trappings of a police ...

Girl with a Pearl Earring is the first feature for director Peter Webber. Most freshman filmmakers don't come close to Webber's level of accomplishment, and (not to take anything away from him) some of the credit must certainly be parceled out to ...

Spoiler Alert: The review discusses things that are part of the established historical record but which may be unknown to anyone not familiar with the subject matter. One could be forgiven believing that a movie about the most successful f...

Movies have always used the "from the makers of..." line. You know, "a new film from the makers of Lawrence of Arabia" or "a new film from the makers of Glory". Kingpin employs this time-honored tradition, except, in this case, it proudly cla...

One of the most consistent makers of excellent motion pictures during the 1980s and 1990s has been Ken Loach. With a resume highlighted by such unforgettable titles as Hidden Agenda, Riff-Raff, Raining Stones, and Ladybird, Ladybird, Loach is reco...

Mrs. Harris Goes to Paris matches the tone and aesthetic of one of those feel-good, highbrow art house films that were popular during the 1990s and 2000s. (It’s not quite on the same level as Enchanted April but is better than The Best Exotic Mar...