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It has been a long time since I came as close to walking out of a movie as I did with Confessions of a Shopaholic. Not only did I find this production to be irritating, unfunny, and lacking in entertainment value, but I found its underlying slavis...

Uh-oh, this doesn't look promising. Oh, wait a minute, the movie hasn't even started yet. As absurd as it might sound, there's a strange synergy between very bad movies and very good ones. That's because films on either extreme of the quality ...

Maybe it's just wishful thinking, but I believe Hollywood has a tendency to underestimate the teenage viewing crowd. While it's certainly true that a portion of that demographic goes to theaters only for the most superficial form of entertainment,...

Most romantic comedies follow conventional formulas that, when they work, can result in a frothy, enjoyable end product - admittedly, not something to challenge the intellect but enough to cause the heart to skip a beat or two. When those formulas...

Dark Water is the latest in the gaggle of Japanese ghost stories turned into major American motion pictures. The obvious virtue of this effort is that, unlike its predecessors The Ring and The Grudge, it makes sense. The problem is that director ...

Wedding the phrase "Jerry Bruckheimer production" with the words "intelligent screenplay" might seem to be an unimaginable mismatch, but it has happened. Déjà Vu, the new thriller from Bruckheimer and director Tony Scott, impresses with both the...

Calling Delivery Man a "comedy" is a bit of a stretch, because it's rarely funny. Dumb, yes, but not in a way that's worthy of more than a half-hearted chuckle. Then again, it functions even worse as a "drama" because the production insults the vie...

The Dig is the kind of low-key period piece that the Brits do so well. Based on actual events that occurred in pre-WW2 Suffolk, the movie explores the efforts of excavator Basil Brown (Ralph Fiennes) to uncover a sixth-century burial site. Of ...