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The Marilyn of this movie is a victim and "Blonde" is a chronicle of her victimization – not so much a story as a tedious collage of loosely-interrelated incidents.

Black Adam embraces many of the worst elements of the superhero genre, resulting in a loud, discordant experience replete with fist-fights, pyrotechnics, and an overdose of CGI.

An overlong blockbuster in search of an editor and a series of impressive action sequences without a compelling narrative to connect them.