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While watching Horse Girl, which is either a whacked-out science fiction film or an exploration of mental illness (my money is on the latter), two other titles came to mind: Kristin Wiig’s Welcome to Me and Darren Aaronofsky’s mindfuck, mo...

At first glance, Sue Brooks' Japanese Story appears to be an infusion of genre stories: man versus nature, a road trip, and a mismatched romance. However, while there are elements of each ingredient in the movie, Brooks and screenwriter Alison Ti...

My Summer of Love reserves the irony of its title for viewers who see the entire film. Yes, this is about the events of a summer, but it's up to the individual to decide whether what we're seeing on screen is love, a crush, co-dependency, or someth...

There are generally two kinds of Christmas movies: those designed for family audiences and those that should probably have aired on the Hallmark Channel instead of opening in a movie theater. Nothing Like the Holidays belongs in the latter categor...

Uninspired. Pointless. Lifeless. Obligatory. Those are a few of the adjectives that can be used to describe Keenen Ivory Wayans' Scary Movie 2, the profit-driven sequel to the surprise 2000 hit, Scary Movie. Like far too many follow-up motion ...

After watching Spin Me Round, I’m not sure I’ll ever consider the “fine dining” of Olive Garden in quite the same way. A satirical twist on the normally saccharine rom-com genre, Jeff Baena’s feature (which he co-wrote with star Alison B...