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Lions for Lambs is one of those movies in which the principals talk a lot but don't say much. The film is built not upon characters and plot but upon ideas. That would be fine if the ideas were revolutionary or interesting, but they're fairly com...

Although Looking Glass doesn’t get Nicolas Cage back to where he was in Leaving Las Vegas, it’s leaps and bounds better than some of his recent fare. (Left Behind may be the low point but, considering how many for-hire jobs he has taken in...

Considering the success of Peter Jackson’s live-action The Lord of the Rings trilogy and, to a lesser extent, his Hobbit movies, it may be difficult to remember that, during the 1970s and 1980s, the medium used to bring Middle Earth to the masse...

I approached Love Hurts with modest expectations. The well-worn concept – that of a retired assassin forced back into action to save the woman he loves – feels like a high-floor/low-ceiling concept: the kind of thing that’s never going t...

Saturday Night Live movies generally come in two categories: inspired comedies and woefully inept, borderline-unwatchable dreck. Unsurprisingly, considering the difficulty (not to mention the wisdom) of transforming a five-minute sketch into a 90-...

Maestro falls prey to the most common flaw of many bio-pics: trying to encapsulate too much material (over long span of time) into a 2-hour running time. The result is that some sequences seem rushed and compressed, character relations...

The men in black at Columbia Pictures made the right decision when they elected not to screen Man of the House for critics. The film fails in so many ways that it's impossible to imagine it getting more than a handful of positive reviews; all but ...