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If you have read Persuasion or consider yourself a Jane Austen aficionado, this new Netflix-funded production hasn’t been made with you in mind. In fact, the more familiarity one has with Austen, the more likely the 2022 Persuasion is to be seen...

Not to be confused with the early-'90s Kieslowski film of the same name. Definitely not. Sometimes, casting makes a difference. Under the stewardship of the same director with the same screenplay, Red might be an enjoyable-but-forgettable late...

The Runaways is a well-made but generic account of the rise and collapse of a musical group. In piecing together this partially fictionalized account of the mid-1970s girl rock band, The Runaways, writer/director Floria Sigismondi has erred on the...

In a curious way, Snatched is a little like an Amy Schumer stand-up routine: sometimes edgy, occasionally hilarious, and lessened by the bits that fall flat. Unlike Trainwreck, which featured strong writing and an opportunity for Schumer to di...

When one contemplates the amount of Oscar talent associated with The Son, the result can’t be considered anything less than a disappointment. A story of mental illness and the associated feelings of guilt and inadequacy visited upon the loved on...

At a time when most movies spoon-feed background and narrative developments to viewers via exposition dumps and flashbacks, Todd Field (making his third overall feature and his first in 16 years) opts for a more  ambiguous approach. By trusting t...