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Wim Wenders' The End of Violence offers the same type of experience one could expect from sitting through a David Lynch film with a reasonably-coherent narrative (unlike, for example, Lost Highway). Arguably Wenders' most disjointed film to date, ...

Spoiler Alert: This review mentions a key event that occurs mid-way through the movie. Those wishing a "virgin viewing experience" for The Father of My Children are urged to stop reading here and return to the review once they have seen the film. ...

Gemma Bovery is a celebration of author Gustave Flaubert and actress Gemma Arterton. Much like Claude Lelouch's 1995 Les Miserables, this is less an adaptation of a classic novel (in this case, Madame Bovary) than a transition of themes, ideas, s...

Watching Heartbreaker is like observing a bizarre cinematic experiment: what might occur if the French attempted to make an American-style romantic comedy. Whether it's a success depends on your point-of-view. The only thing to keep director Pasca...

For today's audiences, for whom the 1980s are ancient history, how is it possible to generate interest in a Prohibition-era period piece set in the town of Idlewild, Georgia? First-time director Bryan Barber has what he hopes is the answer: gather...

The Red Turtle is one of the most unique high profile animated films to have come along in recent years and in a way represents a repudiation of the commercial arm of the genre. Lacking even a line of dialogue and using hand-drawn images, The Red Tur...

Thieves is André Téchiné's followup to his unexpectedly successful 1995 art-house entry, Wild Reeds. In fact, Téchiné drew so much interest for his installment of the French TV series, All the Boys and Girls of the World, that Filmopolis Pict...