Search for 2025

For his tenth feature film, writer-director Paul Thomas Anderson once again reinvents himself. A filmmaker who has consistently resisted pigeonholing with projects as diverse in tone and content as Boogie Nights, Magnolia, and Phantom Thread, Ander...

The older he has gotten, the more offbeat his films have become. Now, to be clear, Wes Anderson has never been a conventional filmmaker. His movies have always appealed more to niche audiences than mainstream ones. (My favorite of his oeuvre, ...

Finally – for the first time since the original 38 years ago – a Predator movie I can enjoy. The reason is simple: it finally breaks the formula. The previous Predator films have largely lived in the shadow of the 1987 John McTiernan/Arnold Sc...

Every horror fan deserves the occasional (decent) fix, and in the midst of one of the bleakest movie months of the year, Primate delivers. There’s nothing terribly original about Johannes Roberts’ rabid chimpanzee tale, but that’s kind o...

With its curious fusion of tear-jerking drama and fish-out-of-water humor, Rental Family is indeed a strange brew—one of those films that sounds slightly ridiculous in synopsis but blossoms into something unexpectedly tender when experienced mom...

Riff Raff reminds me of one of the avalanche of post-Pulp Fiction movies that tried (and mostly failed) to latch onto the vibe that the Tarantino film gave off. Riff Raff owes a lot to Tarantino (and probably just as much to the Coen Brothers) ...

Roofman purports to tell the true story of serial thief Jeffrey Manchester (Channing Tatum), a criminal dubbed by the media as “Roofman” (thanks to his m.o. of entering target locations through the roof) during a two-year spree in which he rob...

Sentimental Value offers a powerful story about fathers and daughters, roads not taken, the thirst for redemption, and the path toward reconciliation. There is also a strong undercurrent about the sacrifices made by filmmakers, both personal and p...

Sinners commits one of the rarest of rare transgressions in modern cinema: it’s too ambitious. Writer/director Ryan Coogler has far too much to say for one movie but, instead of opting for another medium in which to present the story or shaving ...

With its tongue no longer in cheek, the grimmer and more preposterous sequel to Sisu makes up in adrenaline what it loses in (gallows) humor. Unlike the first film, which often seemed to wink at the audience, this one commits fully to darker terri...