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There's no doubt that the Wachowskis' vision of Speed Racer is big, wild, and overripe with garish colors. It's what I'd imagine it might be like trapped inside a video game or a pinball machine. It's a kaleidoscope gone mad. Yet this kind of vis...

Does anyone remember the 2002 animated film Spirit: Stallion of the Cimarron? I didn’t either until I looked it up. That nearly-two decades old hand-drawn movie provided the basis for the apparently popular Netflix series Spirit Riding Free ...

Unimaginative horror movies are a dime a dozen, but overlong, boring, unimaginative horror movies? Those are rare. However, in Split, that’s what writer/director M. Night Shyamalan has provided the early 2017 movie-going populace. Since his suc...

When George Lucas first conceived the idea for Star Wars, it was just a movie. Over the course of 22 years, it has grown into a full-blown phenomenon - an event that gives promoters orgasmic shivers and makes theater employees wish they could take...

Middle episodes in trilogies have the potential to be fundamentally dissatisfying. Thankfully, George Lucas has managed to avoid that pitfall for Episode II of the Star Wars saga, Attack of the Clones. Admittedly, the primary purpose of this film...

The saga is complete. What George Lucas began in 1977 as a little movie that took the box office by storm, he has completed in 2005 with the most heralded motion picture of the year. With the arrival of Revenge of the Sith, Lucas places the missi...

Attack of the Clones suffers from "middle episode syndrome" - the tendency of the second volume in a trilogy to feel incomplete and, as a result of that incompleteness, to fail to satisfy. (A problem George Lucas was able to avoid with The ...

Revenge of the Sith is the most technically accomplished of all the Star Wars movies. Putting aside other important aspects of the cinematic experience (like storytelling, for example), it’s hard to argue that the special effects work in the th...

Not since the days of Bond-mania in the early 1960s had the release of a movie been as anticipated as the first of George Lucas' Star Wars prequels. Before The Phantom Menace reached screens, Lucas was geeks' Golden Boy and the term "pre...

The three screenwriters (Matthew Michael Carnahan, Tony Gilroy, Billy Ray) credited with adapting Paul Abbott's mini-series into a motion picture have done something remarkable: reduce five hours of material into less than two hours and still produ...