Search for Horror

She Dies Tomorrow belongs to a film category that is sometimes referred to as “existential horror,” which prioritizes atmosphere over characters and narrative and a creeping sense of dread over more tangible, jump-in-your-seat scares. Ther...

The Shining is a curious motion picture. On the one hand, as a ghost story and adaptation of the Stephen King novel, it's largely a failure. On the other hand, as an example of directorial bravura and as a study of madness and the unreliable narr...

The Asian horror remake subgenre has gone through all the stages of bread: at first, it was a fresh alternative to generic American horror then, as more product came out of the cinematic oven, it grew increasingly stale. Now, it's rock hard and mo...

To say that The Signal has major tone problems is to understate the problem. While it's possible for a movie to function simultaneously as a horror movie and a parody of the genre, it's not the easiest trick to pull off and first-time feature dire...

When it comes to movies based on computer games, Silent Hill is not the Holy Grail, but it's a step in the right direction. The film is overlong, with too many unnecessary scenes (a lot of the movie seems like pointless running around), but it pac...

For about 50 minutes, Silent House represents one of the most intense, unsettling horror movies I have recently viewed. This is Halloween territory, where the tension is so thick as to be almost unbearable. It's the kind of experience hard-core hor...

Warning: Spoilers! (Not that anyone will care.) When it comes to direct-to-video productions, no genre is a more prevalent participant than horror. If one considers how bad many of the theatrical releases of this sort are, it boggles th...

Someone finally figured out a way to make the concept of "found footage" interesting, and it's by incorporating it into the film's overall scope rather than employing it as the governing factor. Sinister is an intense horror film that starts out ma...

Sinister 2 falls in line with a majority of the horror films being produced today (especially those with numbers next to the titles): uninspired regurgitations that exist solely to make a few quick bucks from a ravenous (and often undiscriminating) a...

Sinners commits one of the rarest of rare transgressions in modern cinema: it’s too ambitious. Writer/director Ryan Coogler has far too much to say for one movie but, instead of opting for another medium in which to present the story or shaving ...