Search for Horror

Every once in a while, someone gets the bright idea of making an apocalyptic horror film. The Omen series is probably the best-known example of this sub-genre, but it's not the only one. Now, The Prophecy, with its tale of warring angels and lost...

Halloween is rightfully considered to be the father of the modern slasher movie. Ultimately, all the Friday the 13ths, Nightmare on Elm Streets, and Screams owe their existence to that one low-budget film that crept its way across motion picture s...

[Click here to read my review of the original 1960 film.] There's no secret why this new version of Psycho exists. Redundant and unnecessary as it is, it will likely make money for Universal Pictures (a studio in dire need of a box office succe...

Psycho Killer is all about misdirection. It starts out as one thing and ends up someplace completely different. The first scene, a shot through the front windshield of a speeding car, offers up a grim aesthetic that is only amplified through the e...

Pulse is the latest Japanese horror film to receive an English-language remake. Not having seen the original, I can't make comparisons, but I can state that this is the worst translation within the genre to date, outdistancing such worthy contende...

The Purge: Election Year represents writer/director James DeMonaco’s attempt to squeeze one more movie out of a premise that has run dry. The first movie of the series offered little more than The Concept - an alternate universe tale that took ...

It has become tiresome to travel to a multiplex seemingly every other Friday to see the latest remake of a foreign horror film. For the most part, the problem isn't that these productions are remakes but that they're bad remakes. In some cases, t...

My review of John Krasinski’s 2018 A Quiet Place called the movie “a superb exercise in understated terror that puts to shame ‘horror’ films that rely on jump scares and cheap theatrics.” It was one of the best films of the year and ...

For movies like A Quiet Place – science fiction-based horror films that aren’t obsessed with appealing to the Blumhouse demographic – tone and atmosphere are the most critical production aspects. This is something Ridley Scott understood...

The prequel to John Krasinski’s horror/science fiction duo, A Quiet Place and A Quiet Place Part II, Day One offers a self-contained story that is different than the earlier films both in tone and intent. This is a moodier, more existential look ...