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Based on the evidence at hand, one has to assume the missing ingredient is Edgar Wright. Wright, the co-writer and director of Shaun of the Dead and Hot Fuzz, is nowhere to be found in the credits list of Run Fatboy Run. Instead, on this occasion...

Safe House is an overlong, underwhelming knock-off of The Bourne Identity - another generic spy thriller in which the "bad guy" (a traitor) is the good guy (because he's at war against corruption) and the "good guys" (government agents) are the bad...

Seberg is a partly fictionalized account of the events in the life of actress Jean Seberg during 1969 and 1970. Seberg, who was discovered by Otto Preminger and cast as the lead in his 1957 Saint Joan, became an icon of the French New Wave aft...

For about 50 minutes, Silent House represents one of the most intense, unsettling horror movies I have recently viewed. This is Halloween territory, where the tension is so thick as to be almost unbearable. It's the kind of experience hard-core hor...

By any standards, Silk is a bad movie: pretentious, stillborn, devoid of emotion. It’s a perfect example of how awful direction and performances can ruin an adequate screenplay. Granted, what’s on paper isn’t perfect and it contains a number...

Starter for 10 is a mildly enjoyable romantic comedy that stays within the safe bounds of the genre's formula. This is a British film, which may make it feel a little quirky to American viewers. The problem with it, to the extent that there is a pr...

When one approaches something like The Housemaid, one has to go with reasonable expectations. Freida McFadden's book, a perfect summer beach read, is the kind of page-turner that can easily be consumed in a few lengthy sessions. Transforming it fr...

For the most part, Netflix has two modes of films: high-profile prestige projects and “lesser” titles that use recognizable stars to lure bigger audiences. The Woman in Cabin 10 fits snugly into the latter category. For lack of a better descri...

When viewing a melodrama like A Thousand Acres, it's easy to label it as a "chick flick" or a "tearjerker." However, such a facile categorization would do the movie a disservice, since it possesses a layer of depth that most films of this sort...