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Since Sir Nicholas Winton was sometimes referred to in the press as “the British Schindler,” it seems altogether fair to call One Life a Schindler’s List-lite. Anchored by a strong performance from double Oscar-winner Anthony Hopkins as ...

Imaginary is Blumhouse through-and-through. Once in a while, Jason Blum’s template results in an honest-to-god inventive horror experience but, more often than not, his cheaply-made, throw-way films belong buried six feet under with the various ...

Ten years ago, with much fanfare, the DC Extended Universe was born. Warner Brothers, riding the wave of success from Christopher Nolan’s Dark Knight trilogy, decided that rather than stick with stand-alone titles featuring their best-loved supe...

The Boys in the Boat is an old-fashioned, uplifting story about the triumph of underdogs. The film radiates the same level of classiness often associated with its director, George Clooney. Sentimental without being saccharine, this based-on-histor...

It has been eight years since director Francis Lawrence released Mockingjay Part 2, the second half of the bifurcated film that wrapped up Suzanne Collins’ Hunger Games trilogy. Although the fourth movie in that series was the weakest entry, Law...

Raiders of the Lost Ark was a nearly perfect action movie – upon its release in the early 1980s, it redefined the genre for decades to come. It also provided a trap for co-creators Steven Spielberg and George Lucas, forcing them to repeatedly tr...

Marvel’s post-Thanos struggles continue, this time in a movie that features two of the Mad Titan’s daughters. Although the malaise that has afflicted many of the recent MCU releases – from the unheralded Eternals to the much-hyped Doctor Str...

You know a franchise has exceeded its “sell by” date when all the titles seem to blur together and the newest installments seem like remakes of the older ones. That being said, Scream VI is possibly the most entertaining entry into the lon...

It’s apparent that writer/director Brandon Cronenberg has a fascination with what constitutes identity. That question, posed existentially without the involvement of religion or spirituality, lies at the core of both Cronenberg’s dark, trippy ...

Putting aside the cheesy TV commercials and theatrical trailer, it’s clear that M3gan has more on its agenda than being the next iteration of a Chuckie-style slasher movie. A case can be made that this production, directed by Gerard Johnstone fr...