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At the time of its 2001 release, expectations were high, perhaps unreasonably so, for A.I., the first – and only – movie to bear the monikers of cinematic heavyweights Stanley Kubrick and Steven Spielberg. Yet, while A.I. is consistently i...

Had The Adventures of Tintin been a live motion picture rather than a motion capture-driven animated endeavor, it would have been compared to Raiders of the Lost Ark and Pirates of the Caribbean. As it is, however, with the cartoonish characters se...

Here's a word analogy: Amistad is to The Lost World as Schindler's List is to Jurassic Park. In 1993, after Steven Spielberg made the monster dino hit, many critics described Schindler's List as the director's "penance" (as if there was a need for...

E.T. There, I’ve gotten it out of the way - the obligatory mention of the classic 1982 collaboration between director Steven Spielberg and screenwriter Melissa Mathison that every critic will make when reviewing The BFG. The truth is, howev...

I don't know whether Markus Zusak's young adult bestelling novel The Book Thief should be considered "unfilmable" but the adaptation, written by Michael Petroni and directed by Brian Percival, makes a compelling case that it shouldn't have been fil...

Born on the Fourth of July is the middle chapter of Oliver Stone's so-called "Vietnam Trilogy." Begun with Platoon and concluded with Heaven and Earth, these movies are linked only by their connection to the war; they have no common characters. P...

Catch Me if You Can is the closest director Steven Spielberg has come to making a comedy since 1979, when his 1941 bombed at the box office. A jaunty caper movie inspired by real-life events, Catch Me if You Can never takes itself or its subjects ...