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Bonkers. That’s one way to describe the stylistic, chaotic splurge of blood, gore, and action that characterizes Mortiz Mohr’s feature debut, Boy Kills World. A comedy that leans heavily into the grand guignol before imbibing deeply from a pot...

In his famous 1944 speech to the Third Army, General George S. Patton said the following: “The Nazis are the enemy. Wade into them. Spill their blood. Shoot them in the belly.” I don’t know whether director Guy Ritchie thought of those w...

Since Liam Neeson began his action star career with Taken, most of his play-for-pay films have been depressingly generic. Although far from a revelation, In the Land of Saints and Sinners rises above many of those. Perhaps that’s because the...

Imaginary is Blumhouse through-and-through. Once in a while, Jason Blum’s template results in an honest-to-god inventive horror experience but, more often than not, his cheaply-made, throw-way films belong buried six feet under with the various ...

John Woo directing a revenge-themed thriller…what could be more perfect? After all, Woo is a living legend for his acclaimed action films, The Killer and Hard Boiled, even if his English-language movies haven’t been on quite the same level. St...

It has been eight years since director Francis Lawrence released Mockingjay Part 2, the second half of the bifurcated film that wrapped up Suzanne Collins’ Hunger Games trilogy. Although the fourth movie in that series was the weakest entry, Law...

If Expend4bles was simply hampered by lazy writing and indifferent acting, it might not matter. After all, to be fair, those descriptors fit the earlier installments of the series – The Expendables, The Expendables 2, and The Expendables 3 – an...

When it comes to the annual Liam Neeson cash-grab, I have learned to temper my expectations. A guilty pleasure would seem to be an attainable goal, although those instances have been more the exception than the rule lately. The problem is that Nee...

When the focus is on comedy, Joy Ride hits and misses with gusto and some of its most outrageous gags deliver big laughs. The problem is that co-creator/director Adele Lim has delusions of crafting a dramatic foundation for the humor and the since...

As horror/comedies go, The Blackening is one of the better ones. A satire in the same vein as Scary Movie, it uses barbed satire to skewer a host of horror movie tropes but does so with a specific perspective. Beneath all the gags, jokes, and ...