ReelViews for R movies

Made in Dagenham is a fact-based "social conscience film," meaning that it explores an historical struggle against a societal ill. In this case, it's gender inequality - unequal pay for equal work. By chronicling one of the key events that led to t...

Maestro falls prey to the most common flaw of many bio-pics: trying to encapsulate too much material (over long span of time) into a 2-hour running time. The result is that some sequences seem rushed and compressed, character relations...

Maybe at some point, the idea sounded good. Funny, perhaps. Clever even. A fish-out-of-water comedy drenched in enough blood to earn it a solid R-rating. But if there was any potential in the initial inspiration, it was frittered away. J. Michael ...

The battle lines surrounding The Magdalene Sisters were drawn long before it reached its limited North American theatrical distribution on August 1, 2003. The film, which shines a light into the shadowy recesses of religious/sexual repression in I...

If your expectations for Magic Mike have been formed by the trailers and the TV ads, you can be forgiven for anticipating a male version of Showgirls or Coyote Ugly. Keep in mind, however, that the director is Steven Soderbergh, not Paul Verhoeven,...

It's easy to understand why the original Magic Mike was a success: the not-too-cheesy, not-too-serious story of a male stripper featured plenty of beefcake, high-energy dance sequences, standout performances from Channing Tatum and a manic Matthe...

Magic Mike’s Last Dance exemplifies Hollywood’s obsession with established properties. When Steven Soderbergh released Magic Mike in 2012, it was designed as a stand-alone film with a beginning, a middle, and an end. However, its box office suc...

With Magnolia, director Paul Thomas Anderson has segued into the realm of the three hour movie. It's an ambitious step to take - making lengthy, ensemble movies with tangentially related and occasionally interconnected storylines can be a risky en...

As a portrait of a romance in the throes of disintegration, Malcolm & Marie offers a balanced and heartbreaking examination of why it’s never easy to assign “fault” when love goes sour. Malcolm (John David Washington) is a narcissist who...

Malena, the latest film from Italian director Giuseppe Tornatore, is a curious mix of whimsy and tragedy. Tornatore's blending of the divergent tones is not entirely successful - there are several jarring moments - but, on the whole, Malena works ...