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There are times when a movie looks a lot better on screen than it sounds from a description, and Kekexili: Mountain Patrol is an example. The one-sentence synopsis of the movie makes it sound like a dull, quasi-documentary conservationist picture ...

Sexual taboos come in all shapes and forms -- bestiality, pedophilia, incest -- but none creates a more vivid image than that of necrophilia. So, when I say that Kissed is the character study of a necrophiliac, recognize that this film is intended...

Almodovar. To those familiar with his body of work, that name is more than just a way to identify one of today's premiere directors -- it offers valuable insight into the scope and intent of a movie. Since his debut in 1980 with Pepi, Luci, Bom, ...

Those who have been waiting for the "next Amelie" may have found it with Love Me if You Dare - at least after a fashion. However, in place of the wry sweetness of the film that catapulted Audrey Tautou onto the international stage, this movie is a...

In 1954 Queens, New York, three brothers -- Mac (John Turturro), Vico (Michael Badalucco), and Bruno (Carl Capotorto) -- after having a few bad experiences working for others, decide to band together and create their own construction business. The...

If the score of Immortal Beloved is remarkable, that of The Madness of King George is no less so. With the clear strains of Handel's "Water Music" and "Zadok the Priest" in the background, The Madness of King George ascends to a level that it migh...

Since the demise of Friends, Jennifer Aniston has been desperately striving to find her motion picture niche. Despite having started her fifth decade of life (in an industry that is not kind to actresses over 40), she remains a bankable name, even...

It took a while for Groundhog Day to start spawning knock-offs but, once it did, the déjà vu-inspired movies turned from a trickle to a torrent. There have been sci-fi variants (Edge of Tomorrow), Blumhouse horror fests (Happy Death Day), an...

The Merry Gentleman, which represents the feature directorial debut of actor Michael Keaton, is a meditation on loneliness and about the things we do to fill up those big, empty gaps in life. Anchoring the film, which is driven more by characters ...