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The cinematic landscape of early 2000 is littered with the carcasses of disappointing dinosaurs presented by respected, or at least recognizable, filmmakers: John Frankenheimer and ...

Finally, a 2007 sequel that's demonstrably better than its predecessor! Alas, considering how bad Bruce Almighty was, that's damning with faint praise. The central problem with Evan Almighty is that the filmmakers pack too much plot into what sho...

Exodus represents Ridley Scott's attempt to emulate Cecil B. DeMille. Comparisons with The Ten Commandments are both unavoidable and appropriate. Considering the mixed critical reaction to the 1956 spectacle, it is perhaps surprising that Exodus co...

Over the course of a career that has spanned nearly 50 years, Steven Spielberg has often worked with children but this represents the first time he has attempted a coming-of-age story. What’s more, this isn’t any coming-of-age story, it’s ro...

Is this the end of the cinematic Wizarding World? Based on both the text of Fantastic Beasts: The Secrets of Dumbledore and various extra-production cues, the answer may be “yes.” The eleventh film to transpire in the world created by J.K. Row...

One night in the early 1960s, a young boy is taken in by a West Texas family. He claims that he's lost, and, being the decent folk that they are, his benefactors decide that it's their responsibility to see that he's fed, bathed, and given a place...

For Love of the Game, Kevin Costner's third baseball related movie, is appropriately named. Unlike the romantic comedy Bull Durham and the allegorical Field of Dreams, For Love of the Game requires a basic understanding of and affinity for basebal...

With some "mockumentaries" (or "meta-documentaries", "pseudo-documentaries", or whatever else you want to call them), it's best not to know beforehand that they're fakes. The opposite is true of Forgotten Silver, an inventive and wily project ma...