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Madagascar 3 raises an interesting question about what movie-goers want from animated films: intelligent, thoughtful productions that use artwork, rather than live-action, to tell a story, or colorful crap that can be used to distract children for ...

One reason to lament the existence of Madagascar: Escape 2 Africa (which will hereafter be referred to merely as Madagascar 2) is too bemoan the considerable amount of talent that was tied up developing this uninspired sequel when it could have bee...

If there’s a rule to be aware of when it comes to Sony’s so-called “Spider-Verse” movies, it’s this: If Spider-Man isn’t in it, it’s likely to disappoint. That applies to Venom, Venom: Let There Be Carnage, Morbius, and now Madame Web...

Made in Dagenham is a fact-based "social conscience film," meaning that it explores an historical struggle against a societal ill. In this case, it's gender inequality - unequal pay for equal work. By chronicling one of the key events that led to t...

Romantic comedies sell fantasy. Ultimately, that's their reason for being - to make even the most cynical heart crave true love. Some romantic comedies, this one included, fail because of an inability to convince the audience that the protagonists...

If the score of Immortal Beloved is remarkable, that of The Madness of King George is no less so. With the clear strains of Handel's "Water Music" and "Zadok the Priest" in the background, The Madness of King George ascends to a level that it migh...

Maestro falls prey to the most common flaw of many bio-pics: trying to encapsulate too much material (over long span of time) into a 2-hour running time. The result is that some sequences seem rushed and compressed, character relations...

Perhaps the most intriguing question associated with this movie is what to call it. Originally, the film bore the moniker of Jane Austen's Mafia, but, when test audiences were confused by the title (an inexcusable 90% of Americans claim not to kno...

The battle lines surrounding The Magdalene Sisters were drawn long before it reached its limited North American theatrical distribution on August 1, 2003. The film, which shines a light into the shadowy recesses of religious/sexual repression in I...

Working at his current pace, Woody Allen delivers one film per year. Unfortunately, it has been decades since Allen's endeavors have been consistently good. In fact, even as far back as the 1990s, quality movies have been more the exception than th...