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When James Cameron crafted The Terminator in 1984, the concept of a sequel was far from his thoughts. The film's box office performance, while more than justifying the movie's understated $6.5 million budget, did not result in studio executives ru...

Terminator 3 is the summer movie of 2003 that hard-core action fans have been awaiting. It's not ponderous and incomplete like The Matrix Reloaded. It's not steeped in characterization and modern-day mythology like Hulk. And it's not vapid and f...

The Terminator, the film that catapulted Arnold Schwarzengger into Hollywood's stratosphere, was never designed for more than a niche audience. Indeed, while the film made a nice profit for Orion Pictures (returning grosses about six times its cos...

Although Terminator: Dark Fate, the sixth film in the Terminator franchise, is an improvement over the other non-Cameron-directed sequels, it doesn’t rise to the level of the first two entries in the series. And, while Terminator die-hards a...

He's back. After not appearing in a Terminator film for 12 years, Arnold Schwarzenegger has returned to one of the roles that made him the biggest action star of the '80s and early '90s. Will anyone care? This is the seventh film Schwa...

Note: This review contains "casting-related spoilers." Terminator: Salvation does not seem like a Terminator movie, at least when compared to what we have experienced from filmmakers James Cameron (The Terminator, Terminator 2: Judgment Day) and...

That Awkward Moment exudes an "old school" romantic comedy vibe. (Since it borrows from Shakespeare's Love's Labour's Lost, the "old" really applies here.) The script has an '80s/'90s sensibility wrapped in a layer of lewd, crude, rude packaging. S...

Released in 1974 to celebrate MGM’s 50th anniversary, That’s Entertainment is a clip-show motion picture designed to highlight many of the studio’s beloved musicals. More than 50 songs are featured from movies as old as 1929 (The Hollywo...

A Thin Line Between Love and Hate is muddled to the point of tedium. The screenplay is credited to four writers, and its unevenness argues that none of them were on the same wavelength. Subplots start but never finish, characters come and go...

It's long past time that a filmmaker has shown the courage to expose the MPAA Ratings Board for what they are: censors working under the guise of servants to the public good. For those who have followed the ins-and-outs of the MPAA over the years,...