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In a curious way, Snatched is a little like an Amy Schumer stand-up routine: sometimes edgy, occasionally hilarious, and lessened by the bits that fall flat. Unlike Trainwreck, which featured strong writing and an opportunity for Schumer to di...

In the wake of the somnambulant Star Trek: The Motion Picture, the fledgling Star Trek movie series was in need of some zest, which is exactly what The Wrath of Khan provided. While retaining the thematic elements of the late-'60s TV series an...

Despite a reasonably original story line, familiar characters, first rate special effects, and the hallmark meeting between Captains Kirk (William Shatner) and Picard (Patrick Stewart), there's something fundamentally dissatisfying about this, the ...

Middle episodes in trilogies have the potential to be fundamentally dissatisfying. Thankfully, George Lucas has managed to avoid that pitfall for Episode II of the Star Wars saga, Attack of the Clones. Admittedly, the primary purpose of this film...

Attack of the Clones suffers from "middle episode syndrome" - the tendency of the second volume in a trilogy to feel incomplete and, as a result of that incompleteness, to fail to satisfy. (A problem George Lucas was able to avoid with The ...

There's a fine line between giving homage to something and stealing from it - and the division is usually defined by how creative and enjoyable the final product is. Using that distinction, Stargate is on uncertain ground. This new big-budget sci...

State and Main offers prolific playwright/filmmaker David Mamet his latest chance to re-invent himself. Mamet, who is perhaps best known for his twisty thrillers (House of Games, The Spanish Prisoner) and tense psychological dramas (Glengarry Glen...

The three screenwriters (Matthew Michael Carnahan, Tony Gilroy, Billy Ray) credited with adapting Paul Abbott's mini-series into a motion picture have done something remarkable: reduce five hours of material into less than two hours and still produ...

Spoilers (including revelations about the ending)!By 1987, the (first) slasher-film craze had reached its apex. Proven box office winners because of their gory appeal, slashers could be made for next-to-nothing and almost always turned a profi...

Surrogates was not pre-screened for critics. Most of the time, I understand when a studio takes this route - it's a way to avoid undue negative publicity before the release of a movie that is recognized behind-the-scenes as being a turd. Once in ...