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Before Jason and Freddy, there was Michael Myers, wearing his white-painted Captain Kirk mask and stalking Jamie Lee Curtis. Michael made his debut in John Carpenter's 1978 horror classic, Halloween, possibly the best scare movie to come along...

If one discounts Halloween III, it has taken twelve movies, four timelines, and nearly 45 years to get to this point. If there was such at thing as “truth in advertising” in movie titles, this would be the last bow of one of movie-dom’s long...

When John Carpenter's Halloween was released in 1978, no one (least of all the filmmakers) could have predicted the phenomenon it would create. Not only did Halloween turn into one of the most profitable movies of all time, but it spawned a class ...

When the original Halloween reached screens in 1978, director John Carpenter intended for it to be a one-off project. However, the film's unexpected financial success paved the road for Halloween II, an inferior sequel that tied up most of the loo...

The following words, spoken by Dr. Sam Loomis (Donald Pleasance) in the 1978 Halloween regarding his patient, Michael Myers, loom large over the 2021 sequel, Halloween Kills: "I spent eight years trying to reach him, and then another seven try...

Note to readers: this review contains spoilers. If you care, come back and read the review after you have endured the torture that is Halloween: Resurrection. There are three levels of quality in the horror genre, all of which are represented in...

Take a deep breath and prepare to suspend your disbelief, because in bringing us this summer's first (and probably only) pure action film, Jean-Claude Van Damme and John Woo have given new meaning to the word "preposterous". Chance Boudreaux (Va...

Jobs could have been so much more but the desire to rush it into production and get it out fast (it started filming about six months after the ex-Apple CEO's death) has transformed it into a missed opportunity. A standard-order, scattershot bio-pic...

One of my fears when watching movies about characters coping with cancer is that they will turn into Lifetime disease-of-the-week melodramas: shallow, plot-by-numbers chronologies of the disease's progression that become either manipulative tear-je...