Movies with cinematographer Roger Deakins

Hail, Caesar! won’t be remembered as one of the Coen Brothers’ masterpieces. An homage to Hollywood of the 1950s, this is more of a niche film than a mainstream offering. It’s an opportunity for Joel & Ethan Coen to use the era as a cinematic p...

What happens when the so-called American Dream - a life of financial independence and home ownership - turns into the American Nightmare? For some, a house is just a place to stop and rest at night. For others, it's an investment - a means to bui...

"Out of hope, out of rope, out of time." - William Cobbs in the opening narration of The Hudsucker Proxy Tim Robbins has a knack for finding his way into superior satires. After taking the lead role in Robert Altman's The Player and starring...

"Hate put me in prison. Love's gonna bust me out." Those words, spoken by Rubin "Hurricane" Carter (Denzel Washington), form the thematic foundation of Norman Jewsion's latest film, The Hurricane. Alternatively tragic and triumphant, it is an ex...

The last scene of In the Valley of Elah may be the most ridiculously ham-fisted and over-the-top moment in all of 2007’s supposed prestige cinema. This image is so blatant and cheesy that it makes one wonder whether director Paul Haggis’ succes...

Andrew Niccol is fascinated by the impact of futuristic technologies on society. His gripping feature debut, 1997's Gattaca, explored a civilization in which genetic tinkering rendered natural reproduction obsolete. With In Time, he is again looki...

For whatever reason, the Coen Brothers' comedies (such as Raising Arizona, The Hudsucker Proxy, and The Big Lebowski) have always garnered less critical attention than the filmmakers' more serious fare (such as Blood Simple, Barton Fink, and Fargo)...

"Every war is different. Every war is the same." So says the voiceover narration in the closing moments of Sam Mendes' Jarhead. I might add: Every war movie is different. Every war movie is the same. This is Mendes' Gulf War answer to Apocalyp...

The Ladykillers is an interesting concoction - a faithful update of the original Ealing comedy cooked in vat of Coen Brothers' seasoning. Even though this is based on the 1955 British film of the same name, those unfamiliar with The Ladykillers' p...

Expecting normalcy from a Coen Brothers production is a pointless endeavor, but anticipating brilliance isn't outlandish. Their latest feature, which has about zero box office potential, provides plenty of the latter and a little of the former. It�...