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Different parts of the female anatomy fascinate various men. Some are drawn to legs, others to breasts, and others to hips. But Tony, one of the many characters to join the bizarre cross-country trek chronicled in Flirting with Disaster, is an ar...

Throughout the course of its bloated (132 minutes, sheesh) length, Greg Berlanti’s Fly Me to the Moon never figures out what it wants to be. Is it a rom-com? A screwball comedy? A parody of conspiracy theorists and their crackpot hypotheses? A v...

With a lighthearted caper movie, the formula is easy to understand if not execute. It's all about conning the viewer as effectively as the on-screen marks while camouflaging enough of the unavoidable plot holes to make things hold up on a second ...

For a Good Time, Call... offers an enjoyable, if ultimately forgettable, 90 minutes. A fusion of the suddenly popular "girls behaving badly" subgenre with the female version of the so-called "bromance," it offers plenty of laughs and goodwill. Unfo...

When you think of Christopher Guest, the first thing likely to spring to mind is fake documentaries. He has made his reputation in the arena. From This Is Spinal Tap (which he co-wrote but did not direct) to A Mighty Wind, Guest has turned his came...

With The 40-Year-Old Virgin, Judd Apatow succeeded in an endeavor that foiled many of the more accomplished directors to precede him: the merging of the romantic comedy, a quintessential "female genre," with the raunchy comedy, a quintessential "ma...

With some "mockumentaries" (or "meta-documentaries", "pseudo-documentaries", or whatever else you want to call them), it's best not to know beforehand that they're fakes. The opposite is true of Forgotten Silver, an inventive and wily project ma...

As one might deduce from its cheeky title, The Forty-Year-Old Version, Radha Blank’s feature debut, isn’t afraid to challenge sacred cows along the way to making its point and, more importantly, telling a story. The film works on two level...

This is what happens when a successful indie documentary filmmaker gets sucked in by the Hollywood system. As one can guess from the number of writers involved in this project, Four Christmases is wildly uneven, veering from screwball comedy to wo...

Four Rooms, a four-segment anthology directed by independent film darlings Allison Anders, Alexandre Rockwell, Robert Rodriguez, and Quentin Tarantino, has to be one of 1995's major disappointments. Perhaps it's the format itself -- twenty minutes...