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Is this the end of the cinematic Wizarding World? Based on both the text of Fantastic Beasts: The Secrets of Dumbledore and various extra-production cues, the answer may be “yes.” The eleventh film to transpire in the world created by J.K. Row...

Zero-star movies are a rare and terrifying breed - films that warrant recommendation only as an alternative to physical distress. Sitting in a theater as one of these examples of cinematic diarrhea unspools creates a curious tug-of-war within the ...

Feast of July, which arrives under the Merchant/Ivory umbrella (Ismail Merchant having served as executive producer), is much like a big screen version of a double-length Masterpiece Theater episode. By turns tragic and beautiful, but always atmos...

It's a little surprising to encounter a film like Feast of Love in multiplexes, because it is made for adults. After a summer of pyrotechnics and incredibly dumb scripts, it's a change of pace to find something that aspires to run for 100 minutes w...

Flags of Our Fathers is Clint Eastwood's homage to the honored dead of World War II as well as a meditation upon how an icon is formed. Based on the book by James Bradley and Ron Powers, the movie centers around the Battle of Iwo Jima, one of the ...

If Martian Child is the price film goers must pay in order to get Grace Is Gone, then it's a worthwhile trade. This low-key drama, the directorial debut of James C. Strouse, is the kind of opportunity that real actors relish. With a minimalist plo...

Gran Torino is an amazingly over-the-top anti-racism parable but, despite its obvious shortcomings, it is nevertheless effective and affecting. The storytelling style is old fashioned in what it does and unsubtle in the way it goes about doing it,...

It's safe to say that, as a director, Clint Eastwood shows no fear. Only a few years beyond telling the story of Iwo Jima from the Japanese point-of-view, Eastwood ventures down another little traveled cinematic avenue by making what is essentiall...

People suck. Life sucks. And when you get to the top, you realize that everything is hollow and pointless. That sums up Bret Easton Ellis' philosophy as well as the central themes of the latest downer of a movie based on one of his novels. The ...