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In 1997 movies, the White House is under siege, although not as literally as in last year's Independence Day. No less than three major motion pictures released between New Year's Day and the twilight of the summer season have stories that postulat...

Mira Nair's Amelia is a by-the-book bio-pic. By following the template, it's as safe and straightforward as one could possibly get, without narrative flourishes and with minimal exaggeration to satisfy Hollywood's appetite for fictionalization. Th...

Sight unseen (except by attendees at the 2000 Sundance Film Festival, where the movie premiered), Mary Harron's American Psycho has already become one of the most controversial motion pictures of the year (making it a "must see" for some film-goers...

American Sniper lifts director Clint Eastwood out of the doldrums that have plagued his last few films. Loosely based on the life of decorated Iraq War veteran Chris Kyle, the movie not only represents the best effort from Eastwood since his Oscar-wi...

Beastly is Beauty and the Beast for the Twilight generation. Featuring a cast top-heavy with TV actors and a screenplay that could have been given an assist by Stephanie Meyer, the end result would have ended up on the ABC Family Channel if it had ...

Contained within Beasts of the Southern Wild are moments of fragile, understated magic that emphasize the relationship that exists even between the most neglectful, irresponsible fathers and their daughters. The problem with Beasts of the Southern ...

Walt Disney's 1991 instant classic, Beauty and the Beast, is not only the finest animated movie ever made, but deserves a prominent position on any list of all-time greats. Although not the highest grossing Disney production, nor the best-reme...

Peter Allen and Carole Bayer Sager wrote “No need to remember when, 'Cause everything old is new again.” Lately, that has become the Disney way: take a classic animated film and remake it into something that, although shiny and eye-po...